Opening Weekend Grosser For Avatar: The Way Of Water Were $134 Million In North America And $435 Million Worldwide
Avatar: The Way of Water, according to Variety, came in third place overall during the COVID-19 pandemic, trailing only Doctor Strange in the Multiverse of Madness ($442 million) and Spider-Man: No Way Home ($600 million).
Avatar: The Way of Water tied for the fifth-largest opening of 2022 domestically. Avatar and other films by Cameron sometimes have a languid beginning before picking up steam over the ensuing days.
The 2009 film Avatar debuted to a meager $77 million domestically before going on to gross $2.92 billion internationally and $760 million in North America, becoming the all-time highest-grossing film. Additionally, the original remained at the top for seven weeks straight.
It will be difficult for the sequel, which took in $301 million internationally, to surpass the success of the first movie, especially since it won’t be released in Russia, where “the first movie grossed $116 million.” China is a sizable market that contributed significantly to the success of the first film, but the sequel’s opening there was below expectations with only $57.1 million made.
Avatar: The Way of Water generated $48.8 million worldwide, with 62% of ticket buyers choosing to watch the film in a premium format like IMAX. This was sufficient to make it the second-largest weekend in IMAX history as well as the biggest for a movie premiering in December.
It will be fascinating to see how much Avatar: The Way of Water exceeds its $350 million production budget and the countless millions it cost to market during the coming weeks. Cameron claims that for the movie to be profitable, it needs to rank third or fourth all-time in terms of box office revenue.
After dominating the movie office for five weeks and earning $5.4 million domestically, Black Panther: Wakanda Forever came in second. It now has a $418 million North American, $367 million foreign, and $786.5 million worldwide total.
Every James Cameron Film Ranked
Each of James Cameron’s nine films has been ranked from worst to excellent. See if Avatar, Terminator, or Aliens is crowned king of the hill by clicking through.
Piranha II probably belongs near the bottom of Cameron’s filmography, and we doubt many movie lovers would disagree with us. Even Cameron, who appears as anxious to forget about this low-budget horror sequel as anyone else, would undoubtedly back that decision.
By including flying versions of the man-eating fish, Piranha II tries to boost the ante from the original. That did not, suffice it to say, help the film stand out from the sea of Jaws imitations of the late 1970s. It surely didn’t help that the inexperienced Cameron (who was hired after training under B-movie superstar Roger Corman) regularly quarreled with executive producer Ovidio G.
Assonitis and found it difficult to communicate with a team that was predominately made up of Italian speakers. In reality, there is substantial speculation regarding how much of the movie was truly directed by Cameron and how much was created by Assonitis.
Piranha II has a few positive aspects, which is at least something considering that it is not the best start to a director’s career. In 1986’s Aliens, some of the creature effects were made possible thanks to the prosthetics work. Not to mention that Cameron and actor Lance Henriksen began their successful and long-lasting collaboration with Piranha II.
Avatar is still the most successful movie ever made, despite the constant Marvel and Star Wars spinoffs. Without the necessity for an existing brand, it is obvious that Cameron knows how to fill theatres.
It’s not difficult to understand why 2009 viewers connected with Avatar on such a profound level. In the film, the magnificently alien world of Pandora, where all living things cohabit in magnificent ecological balance, and a world that is endangered by humanity’s greedy appetite for resources, are both introduced.
Watching Avatar is similar to taking a tour guide through the universe’s most aesthetically breathtaking safari.
Unfortunately, Avatar suffers greatly from its ensemble of primarily forgettable, uninteresting characters and a plot that can best be described as “Dances With Wolves meets Fern Gully.” Despite how straightforward it is, Avatar is a visually spectacular movie that is still the only really good reason to acquire a 3D television.
Oceans captivate people’s attention. The water is both fascinating and terrible. The Abyss, a 1989 science fiction film directed by James Cameron, is built around this dichotomy.
It has a fantastic premise but uneven execution. An American submarine sinks after striking an unknown item in the movie The Abyss. A small squad of SEALs is sent to aid a group of scientists in finding the missing sub as the Soviets are rapidly closing in and a hurricane is likely to hamper the Navy’s rescue attempts.
We feel something for each character in The Abyss, especially Bud (Ed Harris) and Lindsey (Mary Elizabeth Mastrantonio), who are both given three-dimensional personalities out of the aquatic roughnecks. Viewers experience the mental anguish of being confined in a small room with unending amounts of water surrounding them on all sides.
As the heroes run into an unexpected alien presence on the ocean floor, they also get to feel the wonder of discovery. Like in many other Cameron films, the musical score itself performs an excellent job at entrancing audiences and enhancing the atmosphere.
A photo-realistic character was created for a film for the first time using CGI in this film. Terminator 2’s liquid metal antagonist was developed as a result of the Pseudopod tentacle.
The Abyss may have been a drawn-out, occasionally tedious film even before the eventual director’s cut, but it is still a good genre film with more going on than the ordinary film about alien visitors and the people they visit.
The first of what looks to be many Avatar: The Way of Water sequels is the 2009 blockbuster from director James Cameron. As Jake Sully and his family encounter a tribe of Navi who live in the ocean and recommit themselves to fighting a rapacious, vicious human military, this sequel literally opens up the planet of Pandora.
Not all of the issues in the original are necessarily resolved in The Way of Water. A cast of undeveloped heroes and villains characterizes this still relatively simple movie. Additionally, it lasts roughly an hour longer than the story actually requires.
But more so than the original film, Avatar 2 draws strength from the incredible animals and settings it conjures up. One of the most expensive films ever produced, and the enormous budget is clearly seen on the screen. The Way of Water is a lavish visual extravaganza with enough heart to make up for its weak narrative.
That it never pays to distrust James Cameron is demonstrated by the success of Titanic. What many anticipated would be a very costly disaster ended up being a box office smash that equaled Ben-Hur for the most Academy Awards won by a single picture. During his notorious Oscars address, Cameron wasn’t exaggerating. In 1998, he actually reigned supreme.
Cameron’s skill at fusing grand epics with intense human drama is expertly displayed in Titanic. The movie captures viewers’ attention right away with its meticulous reproduction of the infamously doomed ocean liner and the Romeo and Juliet-like romance between Leonardo DiCaprio’s Jack and Kate Winslet’s Rose. The third act, which is the most heartbreaking, follows as we watch the gorgeous vessel fall apart at the seams and the frantic struggle for survival take place.
When watching Titanic, it’s impossible to avoid feeling emotionally spent afterward. That didn’t, however, deter moviegoers from frequenting the theatre.
With $5 million, Violent Night took third place, followed by Strange World with $2.2 million and The Menu with $1.7 million.
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